- December 13th, 2022, 12:34 am#4975116
If I can get hold of a 4K quality Knock, Knock rip I will make it my mission to produce a widescreen “fan remaster” edition.
Chicken, He Clucked wrote: ↑December 13th, 2022, 12:34 am If I can get hold of a 4K quality Knock, Knock rip I will make it my mission to produce a widescreen “fan remaster” edition.This one I think:
mrmichaelt wrote: ↑December 13th, 2022, 12:37 amThanks, I’ve messaged someone on instagram who may have a copy, would be awesome to get these ripped for the wider community.
This one I think:
https://www.blu-ray.com/movies/The-Real ... ay/156907/
https://forum.blu-ray.com/showthread.php?t=278052
Chicken, He Clucked wrote: ↑December 13th, 2022, 12:34 am If I can get hold of a 4K quality Knock, Knock rip I will make it my mission to produce a widescreen “fan remaster” edition.Interesting. Like a 16x9 1.78:1 version?
Chicken, He Clucked wrote: ↑December 13th, 2022, 3:28 am I wouldn’t be erasing copies of the original aspect ratio. Anyway, we’re derailing kind2311’s thread a little.I set up a new thread and moved the posts over as to keep kind2311's thread on-topic. So continue away.
Chicken, He Clucked wrote: ↑December 14th, 2022, 11:52 am I’ve spoken with James Eatock aka Cereal Geek who worked on the Time Life set and although he wasn’t familiar with this particular release, the “magic window masters” would be the same as the broadcast masters used for the Time Life set. So basically it is exceedingly unlikely HD/4K remastered RGB episodes appeared on a one-off Japan release without any fanfare or Western re-release. And note there’s no “HD1080” tag on the RGB disc blurb.Yes and no. The Time Life masters were at the scale they are at because at the time they had dvd's in mind as the medium. There was no plan to transfer fer to a bigger format. The tapes are analog which means that converting from that source would be smoother than upscaling a digital film. Once a film is converted to digital, it is pixelized, setting it to a size. It is far easier to take a tape and capture it digitally to a higher scale than to upscale a already captured digital work. Most modern Blu-Rays and 4K Blu-Rays are made from a bigger capture than the formats they are on. When the footage is captured to digital is the ideal time to have the sizing where you want it. At that point it is better to be downscaling from a higher scale, than to try to upscale it. The most detail/information is in the analog format, and the only thing that happens once converted to digital is losing information/detail. I'm not sure how to better explain it.
Based on that I’m probably not going to drop the £50 to import this and find out.
But if anyone else wants to give it a shot? Would be worth it for kind2311 as a reference for his upscaling.
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